Newsletter – August 28th, 2025

Myths in Streaming: More Content = More Audience

Streaming services have long chased massive libraries as a growth strategy. But the data shows diminishing returns. Low-value content adds operational costs and discovery friction without delivering real audience impact.

The Take

More content doesn’t mean more value. The platforms that win long-term will be the ones that invest in relevance, not scale.

Imagine a pyramid. At the base sits the lowest-quality content: bulk acquisitions, low-impact titles, cheap filler. These typically drive the lowest return on investment. At the top of the pyramid sits high-quality, high-engagement content; titles that actually bring subscribers in and keep them.

Every company’s pyramid looks different. That’s why forecasting matters. Teams should model not just content licensing costs, but also ingestion, processing, storage, distribution, and support costs. For many platforms, the pyramid shows a sobering truth: the base is broad and expensive, while the peak is narrow but powerful.

Source: The Streaming Wars

FAST Content Keeps Growing, Live Programming in Focus

The free ad-supported streaming TV (FAST) space has gotten more mature and is not quite the Wild West it was just a few years ago. Still, FASTs continue to grow key content types and genres, with recent separate reports from Gracenote and Amagi shedding some light that live, including sports and news, is in focus for both viewers and providers. On Wednesday Gracenote released its Q3 Data Hub that gives a glimpse of content catalogs for leading SVODS – and starting this quarter, for FAST services.

Per Gracenote, across FAST there are now 197,000 total TV shows, movies and sports programs. 

Gracenote's latest Data Hub also shows that the global FAST channel count now stands at nearly 1,850 – up 76% in the past two years and nearly 14% since Q1. Earlier Gracenote data found sports had grown the be the No. 2 FAST genre by channel count, a ranking it still holds. That said, sports FAST channels still distribute very little programming when compared against the aggregate across all FAST content. 

As we talk about live, sports are seen as a key category that help attract users and advertising dollars, but Amagi’s August Global FAST Report and consumer survey of 500 U.S. households show it still dominates live FAST programming but is not the only type of live content viewers are regularly tuning into.

Read Full Article: Stream TV Insider

2025 OTT.X Summit - October 22nd, 2025

OTT.X is delighted to announce that it will host its 7th Annual Fall Summit on October 22nd at the Skirball Cultural Center in Los Angeles California.

The OTT.X Summit is the definitive annual gathering for professionals across the digital distribution ecosystem-bringing together studios, streamers, platforms, content creators, and tech innovators for a full day of insight, connection, and opportunity.

The theme for the 2025 Fall Summit, "The Future Is Wide Open," reflects a new reality: Distribution is no longer confined to a handful of studios and services. The path to audiences is more varied, more creative, and more open than ever.

Topics of Interest 

  • The Evolving Economics of Entertainment Distribution
  • Reinvigorating Fan Engagement through Large Format/Community Experiences
  • CTV Meets UGC: How Content Creators and Short Form are Redefining the Future of TV
  • The FAST & the Formidable: Leading Content Providers on Growth & Strategy
  • Behind the Curtain: How the CTV Ad Stack is Powering the Future of Streaming Advertising
  • Eyes on AI: Innovation at the Intersection of Content and Data
  • The Advertiser's Playbook for CTV & OTT

Discover new trends, connect with industry leaders, and unlock insights that drive innovation and growth while exploring the future of media at the intersection of Streaming, CTV, and OTT at the 2025 OTT.X Summit. 

Power Franchise VS. Outlander Cumulative Streaming Revenue for STARZ

Presented By:

When it comes to premium original programming, STARZ has long relied on two cornerstones: “Outlander” and the “Power” franchise. Both are proven performers, but Parrot Analytics’ Streaming Economics data shows they deliver value in very different ways, which raises a strategic dilemma for STARZ.

Key Findings

  • On-platform value: In the past 3 years, the Power universe has delivered more global streaming revenue to STARZ than Outlander ($130M vs $71M).
  • Off-platform scale: Licensing flips the story - Outlander generated $450M+ in global streaming revenue for Netflix over the same period, underscoring how mid-tier streamers can unlock much larger returns via scale partners.
  • With Outlander: Blood of My Blood which premiered this month and new Power series on the horizon (OriginsLegacy) STARZ must balance exclusivity, which differentiates its own platform, with licensing which can bring monetization at scale for these franchises.

Peacock Increases Subscription Prices Across All Categories

Presented By:

Enjoy this weekly data deep dive presented by Parks Associates. In July, Peacock increased the monthly price of its ad-free plan from $13.99 to $16.99 and its ad-supported Premium plan from $7.99 to $10.99, marking the largest single price hike in the service’s history. The change makes Peacock the first major US streaming platform to charge more than $10 for an ad-supported tier. Its ad-free Premium Plus plan remains priced at $14.99 per month. 

Parks Associates estimates 142.5 million viewers watched free ad-based streaming services in 2024 and 200 million paid to watch ads on an ad-supported tier of a leading SVOD service. To reach more cost-conscious consumers and convince consumers to subscribe to multiple SVOD services, most of the leading SVOD services – except Apple TV+ – now operate under a hybrid model that offers both ad-free and ad-supported plans to viewers. As of Q1 2025, 59% of subscriptions across these leading 8 SAVOD services are basic tier with ads subscriptions.

An ad-supported tier priced at $10.99 makes Peacock the first major US streaming service to push an ad-based plan over the $10 mark. The steep $3 increase — from $7.99 to $10.99 — reflects a more aggressive monetization strategy as platforms contend with rising content costs and a maturing subscriber base.

Unlike services like Disney+, Amazon, or HBO Max (whose ad-based tier is $9.99), Peacock’s original content library is still limited. That alone could communicate to users that they are being asked to pay more without receiving more. During a time when consumers are trimming their budgets, that perception of value could push some users to upgrade, or cancel altogether.

Like Netflix, which recently reported revenue growth tied to its own price hikes, Peacock appears to be shifting its focus from subscriber growth to increasing revenue per user. Peacock’s strategy also seems to be betting that premium live content, not just scripted originals, can drive what subscribers are willing to pay for. February 2026 will bring Super Bowl LX, the Winter Olympics, and the NBA All-Star Game — all streaming live on Peacock. Implementing the price increase several months early gives NBCUniversal time to condition subscribers, test bundling strategies, and manage churn before the high-profile sports season starts.

For consumers, ad-based tiers have long been positioned as the value-friendly version of a streaming service. But as prices move into double-digit territory, that trade-off becomes harder to justify. For advertisers, higher ARPU and potentially smaller audiences may mean more selective but more expensive inventory.

If Peacock is able to avoid major subscriber loss, Disney+, Netflix, and others can cross the $10 line with their ad-based tiers also. The industry moves toward premium-priced ad tiers could ultimately reshape the value proposition of ad-supported streaming altogether.

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